”Adriana Chiruta’s installation, which stretches throughout Kunsthalle Bega’s exhibition hall with text fragments on the floor and walls, is the only kind of element that can survive in this space of minimalist architecture. The poetic approach might turn every reaction to it into art, becoming the most subtle work of the exhibition.“

Maximilian Lehner, Blok Magazine

”Adriana Chiruta, a theatre director and philosophy graduate, uses her atmospheric punch lines scattered throughout the exhibit area to remind us of the brain’s innate capacity for creativity. This is how Chiruta engages his audience: with texts like “You shake as a crimson algae on the bottom of the ocean” and “Life blooms in a huge empty space.”. As a surrealist, she believes that art has the power to save the world. With Chiruta’s works, I’ve been forced to re-evaluate what we do in a culture that’s plagued by an inability to attribute cause. Through her art, she expresses her desire to heal both the social and personal evils of the world, as well as her own personal trauma in a ritual for sensitive people. As Chiruta points out in a brief video presentation of her technique, it’s not yet clear whether art can save the planet. But if we adjust our focus, we come across something a little more obstinate, resistant to the polarization, us-them, inside versus outside, in place versus out of place.”

Alex Mirutziu, Contemporary Lynx

”Similarly putting forward delicate propositions for introspection, Adriana Chiruta’s text works (all 2021) enveloped the empty spaces between installations in the gallery. Her words, whether serving as curious instructions (“whisper the sound oooooooo/melting yourself/like a piece of black chocolate”) or meditative provocations (“life blooms in a huge empty space”), have a magnitude as earnest appeals to the viewer.”

Anna Harsanyi, Art Asia Pacific

Liviana Dan: The Hall [Kunsthalle Bega] is an unusual space, very hard to conquer; it is not only flooring, corners and walls  […]. In the same time it functions by following some rules of light and always the light is on the side of the curator. It`s very interesting because usually the space is rather provoking us than helping us. Or here the light helps and in this theoretical light, I like a lot the installation with written sentences. I really find them quite radical! In an exhibition so powerfull, a rebel exhibition, to enter with some very sharp, clear and sometimes dour.

Anca Verona Mihuleț: ”The work Liviana is talking about is Adriana Chiruta`s. I was telling Adriana: Adriana your work is the silk from the end, the veil, you have to wait for us to finish, and after that to let it wave, because otherwise we will not succeed.”

Liviana Dan and Anca Verona Mihuleț in a interview with Mihaela Dedeoglu at Radio France International.